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Photos for a trade website

Your own pictures from your own sites decide whether someone believes the business is real. What you can shoot yourself, what an on-site visit adds, and how the rights to it all get settled.

Photo support included in the project price Shots taken in your own service area Image rights cleared in writing

In short and in plain language

This page is about photos for your website. Your own pictures show that your business is real.

You often have shots on your phone already. We look through them with you. What is missing, we take on a visit to you.

We check first which picture may be shown. We only show people who agree first.

Once everything is paid, the pictures belong to your business. You can use them in other places too.

Help with photos is part of the fixed price for the website. Write to us or give us a call.

Key figures

94 %

of trade businesses run their own website (Bitkom)

74 %

find that customers have become more critical (Bitkom)

80 %

use digital channels to reach new talent (Bitkom)

3

image formats per motif: jpg, webp and avif

Images are part of the project · net, plus VAT

from 1,490 euros net fixed price
  • The on-site visit is not billed separately, it is part of the project
  • Included: selection, cropping and delivery in several sizes and formats
  • Included: settling which image may be shown and which may not
  • The shots stay with the business and can be reused anywhere

Photo support carries no separate price. Selection, cropping, rights clearance and the on-site visit are part of the fixed price for the website, which starts at 1,490 euros net. For an existing site the relaunch applies instead, from 2,900 euros net. Ongoing afterwards: website support from 49 euros net per month, cancelable with one month's notice to the end of the month, no minimum term. Hosting in Germany from 15 euros net per month, cancelable with one month's notice to the end of the month, no minimum term. The full breakdown is on the pricing page. All prices net, plus VAT.

Prices as of September 2026.

Almost every business already has pictures. They sit on the owner's phone, in an apprentice's camera roll and in a folder nobody has opened for two years. What is missing is rarely the shot, it is the decision about which of them belongs on the site. That is the work we take on when a website for tradespeople is built: what exists becomes an image set, and what is missing is shot at your place.

Anatomy of an image set

Image set for a trade website
What a complete set of images actually consists of
Volume is not what matters, distribution is. A site of six to eight pages needs a few strong shots in the right places, not three hundred files in a folder. The overview shows a typical scope.
Six to eight pages, around 25 images in use
One opening shot: the business at work, landscape, with room for the headlineOne lead image per trade, so the service pages stay distinguishableFour to eight finished jobs, each with location, year and taskTwo or three shots from the actual work rather than staged posesOne picture of the yard that makes the address believableThe signwritten van, because many people know the vehicle before the nameA group shot and portraits for the page about the businessTools and materials as in-between images where there would otherwise be plain text
From the business
around 15 shots
Taken on a phone over months. Usable when light and viewpoint hold up.
From the on-site visit
around 10 shots
Half a day across two sites and the yard. Covers the spots that would otherwise stay empty.
Discarded
by far the largest part
Blurred, shot into the sun, a stranger's number plate in frame, or no clearance for the property.
Every image is delivered in three sizes and two modern formats so it does not slow the site down on mobile dataSelection, cropping and rights clearance in the project price
Fixed-price websitefrom 1,490 euros net
On-site photo supportno separate price
Illustrative depiction — values are examples.

Why your own pictures carry more weight than bought ones

A stock motif shows a spotless workshop in a country none of us has ever worked in. It looks tidy, and it looks interchangeable, because the same image sits on dozens of other sites. Someone looking to have a facade painted is not after a glossy impression but a reference point: does this look like work I would get in my street. Only a picture from the local area, with the local vehicle and the weather we actually have here, provides that.

The connection is straightforward: 94 percent (Bitkom) of trade businesses run their own website, and 74 percent (Bitkom) find that customers have become more critical. When almost everyone has a site, the existence of a website no longer decides anything, what is on it does. On top of that, 72 percent (Bitkom) of businesses see online customer reviews as a major opportunity to win new work and build trust. Review and image work together, because both answer the same unspoken question about whether real people work here. What such a site looks like when its own pictures carry it is shown in the design examples.

The essentials in five sentences

  • Most of the images already exist, they are just scattered across phones and old folders.
  • Shoot yourself what you can shoot yourself: the picture taken right after tidying up is usually the best one.
  • The on-site visit closes the gaps there is never time for during work: yard, vehicle, team and the two or three lead images.
  • People, other people's houses and number plates need clearing before an image goes online, not afterwards.
  • Photo support has no separate price, it sits inside the fixed price for the website from 1,490 euros net.

What you can shoot yourself

A current phone produces shots that are entirely sufficient for a website. What makes the difference is not megapixels but timing and viewpoint. The six points below cost less than five minutes per job and save half a day of searching later.

Shoot after tidying up

The best picture happens once tools, cable drum and packaging are gone and before the van pulls away. Two minutes that would otherwise be spent waiting.

Put the light behind you

The sun belongs behind you, not behind the subject. Backlight turns a clean facade into a grey surface nobody can rescue afterwards.

Hold it landscape, not upright

Websites are wider than they are tall. A landscape shot fits the top of any page, an upright one has to be cropped and loses what matters.

Three shots per job

A wide view so the subject is clear. A close-up of the actual work. One detail where the care taken becomes visible.

Capture the before as well

The old state takes twenty seconds and cannot be recovered later. A before-and-after pair makes the most convincing section on any service page.

Note the place and year

An image without context is only decoration. With place, year and task it becomes evidence that also counts for local visibility.

What an on-site visit adds

Some pictures never happen during normal work, because nobody steps back mid-job to photograph the yard. That is what we come round for. Half a day is usually enough for two finished properties, the yard and the team. The date follows the weather and your diary, not the other way round, and it interrupts the work only where that cannot be avoided.

Mirrorless camera with a lens on a worn wooden workbench, next to a folding rule, a pencil and metal shavings

How a photo visit runs

Half a day, not a photo shoot in the classic sense

Nothing is set up and nobody is placed in position. We come along, record what is happening anyway, and take the quieter motifs in between that carry the transitions on the site. By the end of the day there are considerably more shots than needed, and we make the selection together with you. What comes out belongs to you after full payment and works just as well for vehicle signwriting, quotation folders, job adverts or your Google Business Profile.

  • Two or three finished properties, chosen together beforehand
  • Yard, store and the signwritten vehicle
  • The team during actual work, only with prior consent
  • Tools and materials as quiet in-between images
  • Selection and cropping afterwards, with no extra invoice
Half a day on siteDate set by the weather
BeforehandPick the sitesTwo or three finished jobs you are allowed to show, plus the yard.
MorningFinished workWide view, two close-ups, one detail that shows the care taken.
MiddayYard and vehicleSignwritten van, store, workbench. Makes the address tangible.
AfternoonPeople at workOnly with consent, during the actual job rather than lined up.
AfterwardsSelection and croppingWhat remains has a job to do on the site.
No studio, no set-up.

From the job to the finished image on the page

You upload everything you have, unsorted and without pre-selection. We sort it and tell you which gaps remain. There are usually fewer than the business itself expects.

Image rights, people and other people's property

This is the part that regularly causes trouble, usually not out of bad intent but out of habit. An image from a search engine is not free just because it can be downloaded. A finished bathroom in someone else's flat is a look into a private home. And anyone identifiable in the background has a say in whether they appear on a website. We settle all of that before publication, because afterwards it becomes tedious.

Every shot goes through the same check

Four questions before an image goes online

Where does the shot come from, has an identifiable person agreed, may the property be shown, and is there something in the background that does not belong there. For people we obtain written consent, stating clearly what the image is used for and how it can be withdrawn later. For private properties a short clearance from the owner is enough in practice, often combined with a request to keep house number and street sign out of the frame. The records stay with you at the business, not with us.

  • Written consent for every identifiable person shown
  • Owner clearance for shots taken at private properties
  • House numbers, doorbell plates and number plates out of frame
  • No images from third-party sources, not even as placeholders
  • Withdrawal is possible: the image is replaced, not debated
Rights check per imagebefore upload
The shot comes from the business or from the on-site visit
Identifiable people have given written consent
The owner of the property agrees
House number and number plates checked, crop adjusted if needed
Third-party brands and signs in the background checked
Image of unclear origin: it does not go on the site
The result is recorded per image so nobody has to guess laterRecord stays with the business
  • Former staff do not stay on the site for years, their picture is swapped at the next review
  • Apprentices under eighteen need consent from a parent or guardian
  • For shots on other people's land we ask in advance, even where the pavement would allow it
  • Interior pictures show the work, not the occupants' furnishings
  • Third-party brands, price tags and competitors' vehicles are kept out of frame

A motif from the web is not a placeholder

The most expensive mistake here is the quickly inserted image that nobody ever replaces. Using a shot without a settled origin risks a claim that costs many times what the photography would have. We would rather use a quiet surface until your own picture is ready. For existing sites we check the image set during the relaunch and report anything of unclear origin.

Shooting on site

On a building site the same rules apply as everywhere else, only under worse conditions. It is dusty, the light shifts and nobody has time. Even so these are the most credible pictures, because they show how the work is done and not just what comes out at the end. Anyone recruiting cannot avoid them: 80 percent (Bitkom) of businesses use digital channels to reach new talent, and 75 percent (Bitkom) see the skills shortage as a central problem. A careers page without real pictures of everyday work convinces nobody who is choosing an apprenticeship.

  • Protective equipment is worn in every picture that goes online. A shot without a helmet or without fall protection is not used, however good it looks.
  • Barriers, scaffolding and order in the background say more about a business than the subject in the foreground.
  • People from other trades are not photographed without being asked first.
  • Documents, plans and address labels do not belong in frame, not at the edge and not out of focus either.
  • The tidy after-shot happens on the same day, otherwise it does not happen at all.

What is included and what is not

TaskIncluded in the project priceNot part of it
Review of the existing image setYes, in full, even across several hundred filesnot included
On-site visit with photographyYes, usually half a day within the service areaMulti-day coverage across a season
Selection, cropping, deliveryYes, in several sizes and modern formatsExtensive retouching or compositing
Alternative texts for accessibilityYes, descriptive per imagenot included
Clearing consents and permissionsYes, templates and guidanceLegal advice on an individual case
Aerial photographynot included Only via a third party with its own permit
Video footage and editingnot included A project of its own, not part of the fixed price
Later replacement of single imagesVia support from 49 euros net per monthBilled separately without a support plan

The reason for this boundary is simple: a fixed price only holds while it is clear what it covers. Video and aerial work are projects of their own with their own effort and their own permits, so they are not in the package. Everything a website genuinely needs in the way of images is. What else belongs to the project is set out in the service overview, and the design side is described under web design for trade businesses.

Typical starting points with an image set

Four hundred images, no order
Starting point
Three phones held several hundred shots from four years, with no folders, no date in the file name and plenty of duplicates.
Measure
Reviewed the set together, sorted it by trade and property, discarded blurred and legally unclear shots, and labelled the rest with place, year and task.
Result
The business needed no extra visit, because more of its own material was usable than expected.
Only sites, never a result
Starting point
Almost everything on file was work in progress: open walls, first-fix installation, materials on the floor. Finished work was missing entirely.
Measure
Agreed two completed properties with their owners and shot them in one morning, plus yard and vehicle. Existing progress shots were used as before images.
Result
Each service page now shows a pair of starting point and result instead of a row of half-finished rooms.
Images of unclear origin
Starting point
The old site carried motifs an acquaintance had inserted years earlier. Nobody in the business could say where they had come from.
Measure
Removed every image of unclear origin, bridged the gaps with quiet surfaces at first and replaced them within a few weeks with the firm's own shots.
Result
The site now shows only pictures from the business itself, with their origin on record.

Example, not a client project. No particular outcome is assured.

Images age faster than words

A text about heating upgrades holds for years. A picture with the van that was sold two years ago and faces of people who have left is noticed by every visitor. So the image set belongs on the table once a year. Website support from 49 euros net per month, cancelable with one month's notice to the end of the month and with no minimum term, includes replacing individual images. What a well-kept set looks like is shown in the references.

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